Jaye Elizabeth Johnson

Post: Echo 3

Resonance* began as a reaction, a response to a global call-to-action, a scrambling to articulate a rapidly changing world. And as we settle into a world in which tumult, turbulence, and transformation are everyday occurrences, we settle into the constancy of our bodies. What is similar about sound (an echo) and the body is that […]

Post: Echo 2

An echo is a sound wave a surface reflects. A voice ringing off the walls of a canyon or a cave. How might sound, language, sun, create vibrations similar to physical proximity? “I love you. I won’t touch you,” Allison Cobb ends Echo 1. In this second iteration of Resonance, we’ll pick up where we […]

Post: Echo 1

We at Nightboat find ourselves reflecting on how in times of crisis, global or not, we turn to the literature of disaster and the disenfranchised. In this language we also find notes of celebration, powerful beacons of hope, and exemplars of resistance. In the search for what resonates, we understand that inextricable from survival is […]

Post: Tender Points: An Interview with Amy Berkowitz

Amy Berkowitz’s Tender Points reads as a lyrical essay, with fragments of personal anecdotes, philosophical thought, excerpts from online forums, and as a slow unfolding and investigation into two interconnected traumas. Berkowitz’s prose and its form evoke the discrepancies and uncertainties of living with an “invisible” and “mysterious” illness. Probing the realities of such an existence, […]

Post: Grabeland: An Interview with eteam

For a book whose title invokes a function (grabeland means “land for digging”), eteam’s art novel reads like a travelogue, touring the inner exiles of its characters as they test the limitations of their existence. The novel lives somewhere at the intersection of the Internet and land art, in a country that no longer exists, […]