An anti true crime novel about patricide, adolescent desire, and Southern working class life.
Begun as a response to a front page photograph illustrating a tragedy that the media quickly sensationalized in the early 2000’s, Wolf tells the composite truth of two brothers, a family friend, a father, and a murder. Skeptical of news cycles and the way trials become page-turners, this book forgoes the standards of true crime: quick conclusions and moralistic underpinnings. Instead, motivated by an attempt to extend empathy, its reconstruction unfolds in tones of witness and meditation. What results is a story about the extremities to which deeply unchecked abuse and ongoing trauma can push a family.
Wolf is a horror story, a love story, story of survival, of parenting and of coming of age. It manages to be so many contradictory things by a-newly creating the English language—by making a brand new English that is both alienating and intimate. It is a marvel.