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October 4, 2022

Interview with Eduardo Kac, author of Porneia!

Happy publication day to Eduardo Kac’s Porneia! To celebrate, Nightboat's Director & Publisher Stephen Motika speaks to Eduardo about the Porn Art Movement, Brazilian history, his teenage years at Ipanema Beach, the history of…

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Blog |
September 8, 2022

Nightboat’s Curation of the Segue Reading Series this Fall!

We are delighted to announce that Nightboat Books is collaborating with Segue Foundation and curating The Segue Reading Series at Artists Space this Fall! Every Saturday in October and November (excluding the weekend of Thanksgiving), we are thrilled to be hosting readings from a dynamic cohort of writers. Each event is in-person, located at Artists Space: 11 Cortlandt Alley, New York, NY 10013. Each reading will also be live-streamed on Zoom and archived. Doors open at 4:30pm, and the readings begins promptly at 5pm. The admission is $5, and all proceeds go directly to the readers.   Here is the calendar: October 1 Allison Cobb…

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Blog |
June 14, 2022

An interview with Kamden Ishmael Hilliard around their debut MissSettl!

Happy publication day to Kamden Ishmael Hilliard's debut collection MissSettl! To celebrate, Nightboat Fellow Snigdha Koirala interviewed Kam about typographical intervention, performance and the American imperialist project, and more. Take a look below! _____________________________________________________ Snigdha: The…

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TC TolbertBlog |
May 17, 2022

TC Tolbert, Author of Gephyromania, Speaks to Nightboat Fellow Snigdha Koirala!

Happy publication the reprint of TC Tolbert's Gephyromania! TC and Nightboat fellow Snigdha Koirala celebrate by discussing silence, in-betweeness, and more. Take a look below! ___________________________________ Snigdha: Gephyromania is concerned with a kind of in-betweeness—and the title nods to this. But I was also struck by the ways in which the collection ponders or wrestles with absence. You write, “In absentia. We dress./ the story of cleavage unwritten./ Erased.” How did the relationship between the two inform your writing process? TC: I grew up in the south as a white Pentecostal girl. The institutions I was immersed in (and brain washed by – whiteness…

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Blog |
April 26, 2022

Janice Lobo Sapigao, Author of like a solid to a shadow, Speaks to Nightboat Fellow Snigdha Koirala

Happy pub day to Janice Lobo Sapigao's like a solid to a shadow! Janice and Nightboat fellow Snigdha Koirala celebrate the reissue of her second collection by discussing translation, documentary poetics, and the various registers of language running through her book. Take a look below! ___________________________ Snigdha: like a solid to a shadow takes on the project of translating your father’s love letters to your mother in cassette form. And it involves you working with Ilokano—a language of which you have imperfect knowledge. What was this process of translating like? Did this limited knowledge of Ilokano trouble your relationship with language…

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Tiff DressenBlog |
April 19, 2022

Tiff Dressen, Author of Of Mineral Talks to Nightboat Fellow Snigdha Koirala!

Happy publication day to Tiff Dressen's Of Mineral! To celebrate, Nightboat fellow Snigdha Koirala speaks to Tiff about queer genealogies of San Francisco, the collapse of boundaries between the "urban" and the "wild," King Lear, and more! Take a look below. _________________________________ Snigdha: Of Mineral is concerned with collapsing the boundaries between the “urban” and the “wild,” and gestures toward a more unified, intermingling relationship between the two. Can you speak more to this relationship? What was it like cultivating it in the book?  Tiff: Thank you, I love this question, especially because I wasn’t conscious that such a collapse of “urban”…

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Sueyeun Juliette LeeBlog |
March 29, 2022

A Conversation With Sueyeun Juliette Lee, Author Of Aerial Concave Without Cloud and Nightboat Fellow Snigdha Koirala!

Happy publication day to Sueyeun Juliette Lee's Aerial Concave Without Cloud! To celebrate, Nightboat Fellow Snigdha Koirala speaks to Juliette about the salp'uri dance form, color, Theresa Hak Kyung Cha, and more! This interview features photography from the author. __________________________________________________ Snigdha: Your practice of poetics draws and expands upon the process of the salp’uri dance form. What was the process of cultivating a relationship between the dance form and your own writing? And specifically with Aerial Concave, how did you come to develop this relationship? Juliettee: Cultivating a relationship to the salp’uri dance form took a leap and feeling my way into…

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