Valerie Hsiung is a poet who writes between worlds, where language meets ritual and abolition meets afterlife. Drawing on diasporic, ecological, and metaphysical inquiry, her books dissolve the borders of poetry, prose, performance and philosophy into a single listening body. She is the author of eight full-length books, including The pedestrian (Nightboat Books), The Naif (Ugly Duckling Presse), The only name we can call it now is not its only name (Counterpath), To love an artist (Essay Press), and outside voices, please (CSU). Recipient of fellowships and residencies from the Camargo Foundation and Lighthouse Works as well as grants from Foundation for Contemporary Arts and PEN America, she teaches writing at the limits of language at the Jack Kerouac School of Disembodied Poetics at Naropa University. Her ceremonial work and pedagogy of emancipatory practices has been studied by researchers, including by Sophie Orlando. Born to Chinese-Taiwanese immigrants in Cincinnati, Ohio, she now lives in the foothills of Colorado.